Everyone's Mexican on Cinco de Mayo. Dos Taquitos' patio party on Creedmoor Road was so gargantuan, the Coronas ran out and the mall parking lot was beyond capacity. Carnavalito played a 6-hour marathon of all your favorite Latin hits, from "La Bamba" to boogaloo to "Guantanamera." This party needs to clone itself.
Caught this nice video of the guys descargando, in their second to last hour, on the 1967 Pete Rodriguez hit "I Like It Like That." Everybody was feeling good; solos by Pako Santiago, timbales, and Billy Marrero, congas.
I regret not having seen Joe Cuba on stage. The few times I was in New York it seemed he was always playing a gig somewhere, and for reasons of logistics or whatever, I just never got around to it. I should have gone to New York more often.
Off the top of my head, some of my favorite Joe Cuba songs are "El Pito ("I'll Never Go Back to Georgia)," (probably my favorite among the boogaloo classics such as "Bang Bang," etc.), and "Mi Jeva," "Salsa Ahi'Nama," and "Joe Cuba's Latin Hustle" all from the 1976 album Cocinando La Salsa.
Is this really the only live clip of Joe Cuba on YouTube? Surely that will change shortly:
Spot the Boogaloo dance step: at the beginning of the clip, 3 figures come on stage. First Joe Cuba, who goes to the congas far right, then right behind him Cheo Feliciano who goes to the center mic, then Jimmy Sabater, the lankier fellow who goes to the timbales. As they are walking out, singers Cheo and Jimmy are doing this groovy little slow/fast step (moving on: "1...and-3"). I have it on authority of some old Palladium dancers that that's the way they used to dance boogaloo.
As Aurora Flores pointed out, Joe Cuba pushed a unique sound because his band didn't use horns. Those trademark vibes, just a real simple piano montuno, an English coro that anyone can sing, and Latin soneos, created a laid-back, improvised groove. There is no story line, and the singer (here the great Cheo Feliciano) may play with the message or the sounds of the words in a stream of consciousness way. He says, "come and dance my cha cha cha," which technically you could do to a 4/4 bugalu rhythm. This 4/4 cha cha-like structure reinforcing the African-American boogaloo groove is a classic form of Latin fusion. "Cornbread y lechon," that's the spirit of Latin bugalu.
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