Catching up on my blogging...Bio Ritmo a week ago at The Pour House was one of their better shows, and I've seen many. The lady and gents seemed relaxed, rested and robust. Here is pianist Marlysse Simmons eating some mini tacos in Moore Square before the gig. Say hi, Marlysse!
Umoja Orchestra was an uplifting opener. So much hope. I had never seen a horn band with a banjo and accordion before. A little cumbia, a little Miami Sound Machine, a lot of afrobeat. It seemed to me that Umoja's musicians were mingling with the locals and dancing up a storm during Bio Ritmo's set, but don't quote me on that. Unity, indeed.
I did precious little filming on this gig, but here is one teaser from paradise. It's a new song, "La Muralla," for the upcoming album, with music by trombonist Toby Whitaker and lyrics by sonero Rei Alvarez. Marlysse uses Fender Rhodes, the Ponce Sound Machine, for the solo that opens the clip; "Mambo" Bob Miller busts chops on a trumpet solo.
It's been a few years since I last saw Sharon Jones and the Dap Kings. The show hasn't changed much, but her stature as a crossover phenom has: Sharon's been all over the late night talk shows, mainstream R&B radio and The Apollo Theater in recent days. I'm happy to be paying out a little more if it keeps Miss Jones in sequins and fringe. That lady is a short stack of dynamite, and I, like so many others who caught Dap fever at the Cradle last night, refuse to maintain a safe distance.
Still, I'm a little wistful for the days when you could just walk up and pay your money. A capacity crowd at the Cradle is a little frightening to tell the truth, a lot like a packed flight. Sure, there IS a bathroom, if you can get to it. Mostly, it just wasn't worth it to move around except in place.
You could move around on stage, however, if you were lucky enough to be handpicked from the crowd. The former corrections officer Jones kept order among the more boisterous volunteers, including a wannabe Isadora Duncan, mouthing "WTF!" to the crowd behind the ballerina's back. A really nice young man named Chauncey caught special favor by giving Sharon the Oshun treatment with a large Spanish fan. This, this, was appropriate homage for the Queen of Dap, and as due reward, she tapped him on each shoulder with the fan; arise, Sir Chauncey, Knight of the Dap Kingdom.
Here's another lucky fellow, laying claim to the Americas with Sharon on an adamant, "This Land is Your Land":
Opening act Fitz and the Tantrums was a perfect fit, with a 60s Motownish retro sound that was light, uptight and all right. It was kind of like The Killers with addition of a young Diana Ross/Martha Reeves. Female vocalist Noelle Scaggs told me afterwards she has followed Sharon for years, so it's a thrill to be opening for her.
Scaggs is also a tambourine virtuoso, and I say that with highest admiration. Sharon brought her out for the encore, which started with a bari sax solo-led rendition of "I'll Be There." Here's ten minutes of it, including band role call for the Dap Kings:
I bought Sharon's two most recent albums, to complete my 4-vinyl set, and stayed until the throngs dispersed to get them signed. I saw sick piles of money being counted behind the merch table as they were closing out for the night.
Godspeed, Miss Jones. Thank you for stopping in our town.
Everyone's Mexican on Cinco de Mayo. Dos Taquitos' patio party on Creedmoor Road was so gargantuan, the Coronas ran out and the mall parking lot was beyond capacity. Carnavalito played a 6-hour marathon of all your favorite Latin hits, from "La Bamba" to boogaloo to "Guantanamera." This party needs to clone itself.
Caught this nice video of the guys descargando, in their second to last hour, on the 1967 Pete Rodriguez hit "I Like It Like That." Everybody was feeling good; solos by Pako Santiago, timbales, and Billy Marrero, congas.
Los Van Van's U.S. tour, which was scheduled to hit New York, Denver, San Francisco and L.A. in June, has been cancelled.
The cause is not diplomatic, reports say, but a snag in business negotiations. The band claims to have its issued U.S. visas in hand.
Los Van Van getting on their tour bus in Germany, 2008
Is this good news or bad news? I would love for a "do-over" tour schedule to include a few stops in other U.S. cities that are not so fortunate as to have Cuban artists performing there regularly. I bet Los Van Van would bring down the house in Greensboro and Atlanta. Don't forget about us.
It's like the cultural literacy clock didn't just stop during the Bush administration, but got set back decades. As if no one remembers that in the late 90s and early '00s, groups from Cuba toured through Triangle venues several times a year. The diplomatic barrier may be broken, but here in the Heartland/Dirty South, we are still waiting for the Cuban drought to be over.
Free, live music by Carnavalito this evening from 5 - 11 pm celebrating Cinco de Mayo.
Location is the North Raleigh Dos Taquitos restaurant on Creedmoor Road. This patio party will be outside in the parking lot--last year they had a tent in case of bad weather.
It doesn't come around too often, so don't miss our friends Bio Ritmo doing a North Carolina tour at The Pour House in Raleigh this Thursday (5/6), on their way to LEAF. They are about to release a new album, tweaked by Spanish Harlem Orchestra producer Aaron Levinson. I've heard Bio Ritmo perform twice this year up in Richmond and the new tunes are smokin'.
Brightleaf Square Summer Concert Series, running from May to September, kicks off this weekend with three nights in a row of live music.
Singer/songwriter Janet Stolp performs Thursday (5/6), followed by former Muscle Shoals and Bonnie Raitt guitarist Will McFarlane on Friday (5/7), and funk horn band Bull City Syndicate on Saturday (5/8).
All concerts are 7-9 pm, free and outdoors in Brightleaf Square, located at 905 W. Main St (corner of Gregson) in downtown Durham.
SALSA FANS: Next Friday (5/14), Latin jazz favorite Carnavalito will perform.
Posts
