Durham Academy Fiesta Latina FRIDAY (10/28)

UNC Charanga Carolina and Colombian harpist Pavelid Castañeda will headline once again this year at Durham Academy's Fiesta Latina. The PUBLIC IS INVITED to attend this free festival in honor of Hispanic Heritage month. Live music and dance program runs from 7:30-10:00 pm, and food trucks will be selling food out front from 6:30 pm on. Location: Brumley Performing Arts Building at Durham Academy Lower School, 3501 Ridge Rd (corner of Pickett), Durham. Admission: FREE.

Charanga Carolina has exciting news; its studio album La Familia has hit the streets. The CD represents a milestone for the collaborative student/community ensemble, founded c. 2003 by Dr. David F. García. The 11 tracks, which include homages to Los Van Van, Arsenio Rodriguez, La Sonora Ponceña, Eddie Palmieri, Ray Barretto and Tito Puente, can be sampled at the Charanga's revernation page. To purchase the CD, for a $12 donation to UNC's Department of Music, send your check and return address to: David Garcia, UNC Department of Music, Hill Hall CB#3320, Chapel Hill, NC, 27599-3320.


Charanga Carolina at this time last year--October 2010

This year, Charanga alum Andy Kleindienst has taken over direction of the group. The ensemble's first public performance was a few weeks ago, so this semester's new recruits should be pretty warmed up for the DA concert.


Andy Kleindienst playing trombone with Orquesta GarDel in August

I last saw Pavelid Castañeda a few weeks ago at a private concert at UNC for the university's Board of Visitors. He was part of a very exciting program, put together by Lisa Beavers at the Center for the Study of the American South, which brought together 3 local masters of ancient stringed instruments from three distinct global traditions: Pavelid on Latin American folk harp, Naji Hilal on oud, and Diali Cissokho on kora. For the artists, presenters and myself, it was an intense exchange of music and information; future collaborations are already being planned, so keep on the lookout for that!


Pavelid Castañeda @ The ArtsCenter in June 2010

Pavelid always wows audiences with his percussive, rhythmic style and unusual arrangements for harp, ranging from traditional folk music to salsa and rock, and his own fiery compositions. He is about to release an original solo album, currently in co-production with his son, the prominent jazz harpist Edmar Castaneda.

The Durham Academy Fiesta Latina is coordinated annually by Bela Kussin, and realized with the help of many volunteers at the school. It's not only meant for the cultural enrichment of students and staff, but also as a gift for the community at large. Brumley is a beautiful new arts facility, with great auditorium seating as well as room for dancing, which will be encouraged during Charanga's sets. Come out and celebrate Latino culture and the arts in our community!

Replay: Bomba Estereo Tour Through Carrboro

In case you missed it:

Bomba Estereo live at the Cat's Cradle on Wednesday:

Salsa & Charanga @ UNC THIS WEEKEND

POST UPDATED 3/26: check out this excellent short documentary about Charanga Carolina by Samantha Lapinsky. The documentary starts at minute 1:16:




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Charanga Carolina, harpist Pavelid Castañeda and Orquesta GarDel are all making appearances at UNC this weekend, at two different concerts happening Friday (3/25) and Saturday (3/26). Both events take place at 7 pm in the Kenan Music Building Rehearsal Hall.



Friday's concert features two sets of dance music by the Charanga, and a solo set by Colombian harpist Pavelid. This benefit for the Scholars' Latino Initiative program has a $7 door.

Saturday's show is a double-bill salsa dance party with Charanga and Orquesta GarDel. Co-sponsor Mambo Dinamico celebrates its 9th anniversary with live dance performances. Door price is $10.

MORE INFO On Facebook, "Charanga Carolina"

As a warmup, here's video of Charanga Carolina's last concert in February. The group combined with the UNC jazz band here, and features special guest Conrad Herwig on trombone:

HARP THURSDAYS

7-9 pm: Pavelid @ Dos Taquitos Centro

never enough harp

I just discovered that the musical Castañeda family, masters of the Colombian folk harp, have set down roots right here in the Triangle. Patriarch Pavelid Castañeda Sr. (pictured), the harpist I raved about at La Fiesta this year, makes his home Chapel Hill. (He and his wife moved here from New York in 2006 when one of their sons received a soccer scholarship to Duke.) A full-time musician and music educator, Pavelid wowed Fiesta audiences with his solo take on "Oye Como Va," as well as traditional llanera music of Colombia's eastern plains.

It turns out, I've been listening to the music of Pavelid's children for years, and didn't know it. Johanna Castañeda has sung backup on Jimmy Bosch's great salsa dura albums, and takes center stage on one tune on Jimmy's latest, A Millon!. Johanna, also a folk dancer and a harpist, gigs regularly in the New York area as a cuatro guitarist and vocalist.

Her older sister, Angela Pilar Castañeda, also sings and plays the Venezuelan cuatro professionally. She and her father performed as a duo for over a decade. Now Angela is an active church musician who resides in Florida.

Youngest son Pavelid Jr. played "soccer for Duke and harp for my family," according to his myspace. The Duke '09 grad plays both these days in the New York area, coaching soccer at Nassau Community College and playing harp at a Colombian restaurant.

Meanwhile, eldest son Edmar Castaneda is breaking paradigms with his introduction of the Colombian folk harp to jazz's highest echelons.
Edmar's jaw-dropping live renditions of Latin jazz tunes are the stuff of legend, and Edmar is frequently invited to play with top guns in the Latin and Jazz worlds such as Arturo O'Farrill, Wynton Marsalis, Lila Downs, Candido Camero and Paquito D'Rivera.



Married to Colombian vocalist Andrea Tierra, Edmar will perform with her at 7 pm this Sunday (9/13) in Asheville at the Diana Wortham Theatre. The concert is sponsored by the WNC Jazz Society.

Want to hear the Castañeda magic a little closer to home? Pavelid Sr. plays the Colombian harp weekly for dinner guests at Dos Taquitos Centro in downtown Raleigh, Thursdays from 7-9 pm. He also plays at The Umstead for brunch and afternoon tea several times a month. Catch him while you can; father and son will be travelling to France and Israel together in October and November.

FIESTA Preview & Updates...

It's here, La Fiesta del Pueblo, the largest 2-day Latino festival in the Carolinas. It will take place this Saturday and Sunday, Aug. 29-30, at the NC State Fairgrounds in Raleigh in the same indoor/outdoor exhibition spaces used last year, in and around the Jim Graham Building. Admission is $5, and admission to the soccer tournament in the Dorton Arena will be an additional $2.



Full Stage Schedule for La Fiesta del Pueblo HERE

Headliners include "hurricane" salseros Orquesta GarDel, Peruvian rocker Santino and punta/soca band Kazzabe. I'm working on my preview of the musical highlights, so check back later today!


UPDATE added Friday night:

Buzz: I just got word from an alert tipster that Santino will be backed by Raleigh rockers Wrecking Season. (Thanks, Melinda!) I just checked out their myspace, and that's some sweet rockin' goodness! I can totally hear Santino with this, returning to his hard rocking roots with Peruvian hair band Fragil.



SANTINO performs Saturday 7pm and Sunday 4:30 pm


UPDATE added Sunday am:

Saturday headliners Orquesta GarDel really upped the ante, adding twists to their old arrangements and throwing a bolero into their set for vocalist Nelson Delgado. Pianist/keyboardist Eric Hirsh played around with new synth tones, adding celeste for example to "Boranda" (evoking memories of Charlie Palmieri's Alegre sessions). Some new, killer horn lines with bari sax jumped out at me on charts I've heard repeatedly. That was a real delight. Always giving us something new to listen to. The funk of "Eric's Timba" (still untitled) resounded with the old school dancers; it was great to see el pueblo dancing, mingling and having a good time.





La Tropa de Tierra Caliente--of Durham--have steadily improved their game as well since I saw them at last year's La Ley fest. This techno banda from the "hot regions" of Guerrero and Michoacan runs on valve trombones, synth tuba and aftershave. A male vocal trio harmonizes and bounces in a massive front line with the live brass, sandwiched by sythmeisters and backed by a lonely drumset on the back bandstand. Witness the energy:



With a quieter kind of attention, rapt crowds at the Cafe Teatro devoured the Colombian harp mastery of Pávelid Castañeda Sr., a real find at La Fiesta this year. (Brava to Fiesta programmer Margarita Correa-McAvoy who always manages to add new talent to the roster.)

A transplant to this area from Long Island with his own folk group Los Llaneros, Pávelid currently plays three days a week for afternoon tea at the Umstead in Cary. Pávelid is a long-time music educator and, if I'm not mistaken, the father of another amazing harpist who is making waves in the Latin jazz world: Edmar Castañeda. I heard Edmar play an unforgettable rendition of "Obsesion" with Cándido Camero and a Cuban ensemble led by Sonny Bravo at the NYC Blue Note in 2007. The manzana doesn't fall far from the tree! Pávelid did a one-man arrangement of Tito Puente's "Oye Como Va" (yes, the one made famous by Santana) that filled the senses. Colombian harp is a rare specialty in these parts, here's hoping we will hear him playing out in the Triangle more often.



Until I can get the full name of this 16-year-old musician in the Andean folk group Amerikantu, I'm going to dub him The Charango Kid. [His name is Jacob Cortez.] Big talent. His father Cesar Cortez plays guitar (far left) and the group is led by artist and musician David Sovero (center):



Sunday picks: 12:45 Mariachi Los Galleros, 1:30 Grupo Sarengue, 3:15 Bravo Norteño, 4:15 Kazzabe, 4:30 Santino.

Full Stage Schedule for La Fiesta del Pueblo HERE

Triangle, we got sabor!

Local Band Spotlight: Pachucos Coahuila

Meet Pachucos Coahuila--aka, bouncy rhythm slingers from Coahuila (via Raleigh):



I met accordionist Ramiro at the Farmer's Market last weekend, where he sold me some nice red yarrow and lantana.

Though originated in Colombia, this style of cumbia is favored in Mexico's northern Coahuila state and the associated Texas border region, Ramiro says.

BREAKING: Colombian Karma

I just found out LATIN BROTHERS from Cali, Colombia are playing at DISCO RODEO TONIGHT!!! This is not a rumor; I spoke to vocalist/percussionist Jorge Tello on the phone. [Jorge says he is the son of former Latin Brothers singer Joseito Martinez.]

Tonight, in Raleigh, Grupo Niche is also playing (at Ambis on Atlantic Ave). What the...? I have no idea what the Goddess Karma is up to, but it is Colombian night tonight.

To sweeten the pot, some locals (Andy Kleindienst, Mitch Butler, Alberto Carrasquillo) are filling in some spots with the Colombian bands at Disco Rodeo . Cumbia band Sonora Dinamita opens for Latin Brothers.

UPDATE 5/23:

Here's Alberto Carrasquillo and James Armstrong (of Winston-Salem) blowing their horns with La Sonora Dinamita:


West End Mambo's Cesar Oviedo played bass and arranged the NC musicians for this show.


FULL REVIEW TO FOLLOW...

Lovely, long-legged Tatiana Giraldo, one of the singers in La Sonora Dinamita's next generation:


She was joined by vocalists Any Velez (in blue) and Luis Milanes, whose brother Nestor Milanes handled keyboards for both bands.


Both bands have older roots, but are franchises currently owned and managed by Jessie Lozano, age 28. The young promoter played timbales in both sets.

"It's a good combination, people like to hear these two bands together," says Any (pronounced "Anni").

I agree, although the sound system at Disco Rodeo was sonidero-style, heavy on the bass. Setting one's phone on vibrate was a redundant proposition. I didn't think this made for the best live music setting, but I did like the crowd. Laid-back, young, unagressive, a cool cumbia scene, really dance-oriented. A lot of gum chewing dancers, and people politely stepping back to make room for other dancers, even in front of the stage.

You can see some cool dancing in this clip, as Jorge Tello sings "Dime Que Paso":



Sonero Charlie Cajares (below, left), billed as "El Abogado de la Salsa," sounded fantastic as he led the Latin Brothers into their set. I would love to hear this guy sing again, in any weather, especially with a more finely balanced sound system.



Here's a sample of "Buscandote" with Charlie ripping his soneos from the headlines. Piano solo by Nestor at 3:00, then our own Andy Kleindienst plays a monster trombone solo at 5:30!



With a jerryrigged band, the two vocalists gave these standards a strong pulse. The final tune, one of my favorites, "Las Caleñas son (como las flores)" really had the funky swing of Colombia. I didn't want to go home, but the show seemed to run up against Disco Rodeo closing time; management turned the lights on 20 minutes before they wrapped up their set.



One should say that this cumbia scene deserves a cleaner club than Disco Rodeo. A steam cleaner could lose his mind trying to remove the patina from the carpet in there (not that there's any risk of that happening). There is not a surface in the room that does not feel sticky, and the bathrooms are always a disgrace by the end of the night. Considering the price of admission ($25-60 not uncommon) and beer ($5 for a can of Budweiser), something doesn't smell right. I didn't see any inappropriate behavior whatsoever, no fights, no d&d, so you can't "blame" the fans for management neglect.

To the frustrations one can add that Disco Rodeo does nothing to publicize their Latin events to non-Spanish-speaking audiences or media, and they don't even have a website. They know on which side their bread is buttered. People come out anyway and pay their hard-earned money to hear their music and to dance with their friends. I can totally understand that. Venue demerits aside, this is a dance scene I'd like to go to again.

All videos posted with the band's permission.



Click on any photo to see more from the show at my flickr page.

Corrections: Jorge Tello is the son of Joseito Martinez. I incorrectly stated both of their names earlier; the post has been updated to reflect these corrections.

Grupo Niche passing through Carolina this Weekend

[Deleted: video ad for Grupo Niche at Ambis 1 Nightclub in Raleigh, 5/22/09]

Grupo Niche, Si o No?

Can anyone confirm or deny the Grupo Niche show that was announced by Rumba D'Cache in Greensboro this Friday (3/20)? I have tried repeatedly to contact club owner and promoter, Edwin Dubois, and haven't been able to reach him at his email or phone numbers. Has anyone bought advance tickets?

Furthermore, the event poster is no longer displayed on Rumba D'Cache's homepage or myspace page. What gives?

Grupo Niche in Greensboro NEXT FRIDAY

Parranda Navideña

An excellent update has just been added to the AfriColombia blog on Puerto Rican "jíbaro" music (see sidebar for the list of "Blogs We Like"). The articles are in Spanish. There are also some nice album covers and MP3s.

I love this "country" music of Puerto Rico's highlands, which is heavily played around Christmas time. The long-form, improvised verse styles are influenced by Spanish/Andalucian oral poetry, and the more finely grooved Puerto Rican guiro, or gourd scraper, gives a characteristic, sandpaper-like groove. Some of these rhythms sound to me like distant relatives to North American jug bands. Maybe I'm not crazy, since according the article, música jíbara is a "favorite dish" for black Colombians in places like Palenque, Barranquilla and Carthagena.

The first singer profiled, Chuito El de Bayamon, is said to have been an important influence on Hector Lavoe. It's easy to hear it in Hector's distinctive salsa phrasing, and he even recorded several Christmas albums of jíbaro music with Willie Colon and Yomo Toro in the early '70s. I was discussing this one time with Rei Alvarez of Bio Ritmo, a Ponce native like Lavoe, and he concluded nostalgically that, had Hector lived, he probably would be making albums of jíbaro music right now. A lovely hypothetical. Come to think of it, maybe Rei should consider it one day.

Another all-time favorite in this genre is Ramito, whom you can also hear on the Africolombia page. I remember talking to Yomo Toro a few years ago about some radio shows and albums he did with Ramito in the 50s and 60s, and he recounted a gruesome story of how Ramito ended up taking his own life due to some terminal illness. A sad ending for a really, really happy guy (just look at him). Ramito had two brothers who also sang (maybe still living? don't know) and I have one CD they recorded as a threesome in the 90s. Ramito albums are around, that is to say he made many, and they sold well, or so I deduce by the fact that it's not that unusual to find them in used vinyl bins or on eBay.