Showing posts with label guitar. Show all posts
Showing posts with label guitar. Show all posts

Monday, May 6, 2013

Aranjuez in Raleigh: Ed Stephenson with Raleigh Symphony

The "Concierto de Aranjuez," by the blind, 20th-century composer Joaquín Rodrigo, is one of the most well-known works for classical guitar. However, it is less often that one gets to hear it backed by a full orchestra. Ed Stephenson performed the Spanish bonbon last night on the Meredith College campus, accompanied by the Raleigh Symphony, which also performed works by Beethoven and Dvorak.

Ed Stephenson, Concierto de Aranjuez, 5.5.13
Meredith College campus at night.

Born in Canada, Stephenson is half-Ukrainian (original family name: Stefanyshyn). Besides teaching at Meredith, he performs regularly in the area as a soloist and with his nuevo-flamenco combo Paco Band.

The Adagio second movement is instantly familiar; so familiar, in fact, that contractually, orchestras can only obtain the rights to perform this concerto in its entirety. But for simplicity's sake, I'm bringing you just the video of this melancholic second movement from last night's performance:




Ed Stephenson, Concierto de Aranjuez, 5.5.13
Ed passes a bouquet to Raleigh Symphony conductor Jim Waddelow.

Ed Stephenson, Concierto de Aranjuez, 5.5.13

Links:

Ed Stephenson, Artist Webpage
Raleigh Symphony webpage

Saturday, April 20, 2013

Of Mud & Music: Shakori Spring Fest, Friday Reviews

Dancing in mud boots, drinking from mason jars, running into old friends...these are classic memories of the Shakori Hills Grassroots Festival in April, when threats of tornados are par for the course. Trudging around in a rain poncho through the persistent damp, I forgot all about the manhunt transfixing the nation Friday night. Instead, I was hanging out at the Farm, catching a bit of John Howie, Greg Humphreys, Lizzy Ross, Joan Soriano, Preston Frank and The Beast + Big Band.

HEADS UP:  Two more days of the festival remain, with music on 4 stages through Sunday (4/21), including headliner Oliver Mtukudzi; FULL SHAKORI HILLS FESTIVAL SCHEDULE HERE.

Lizzy Ross Band 4/19/13
Lizzy Ross fans

FRIDAY NIGHT HIGHLIGHTS: Lizzy Ross Band at Carson Grove Stage

Lizzy Ross Band 4/19/13

Rocking singer-songwriter Lizzy Ross, that golden-haired dynamo, has one of the most expressive voices I've ever heard. She seems to favor badass electric guitarists as sidemen to her high-flying vocals and acoustic guitar, and I can't agree more.

Lizzy Ross Band 4/19/13
Luis Rodriguez

I always enjoyed the work of Jock Pyle with her in the past, and nowadays, I am really digging the sound and fury of Graham guitarist Luis Rodriguez. Some worthy onlookers and myself think he deserves the stage handle "Rockriguez." But that's for cooler heads to decide. We were understandably caught up in the moment.

Lizzy Ross Band 4/19/13

Here's what I'm talking about--Lizzy's version of Bill Withers' sexy tune "Use Me," with Tim Smith sitting in on saxophone and Rockriguez [sic] tearing up the guitar solo:



Lizzy Ross Band 4/19/13
Waiting in the wings: Tim Smith

SABOR DOMINICANO: Joan Soriano in the Dance Tent

Joan Soriano 4/19/13
Joan Soriano

It got crazy in the Dance Tent with bachata guitarist and singer-songwriter Joan Soriano. There were brief power outtages (I counted at least three) which deterred no one. Caribbean percussion is transportable street music anyway, commanding attention without electricity. Welcome to my island.

Joan Soriano 4/19/13

Two new guys on tour with Joan since the Motorco appearance in Durham awhile back: one is bass player Junior "Zaa," I met the second guitarist as well but don't remember his name. I studied the güiro player again this time, but had a better view of his floor tom technique. Bum bum bum, accenting those hits in the solar plexus.

Joan Soriano 4/19/13
New bassist: Junior "Zaa"

Joan Soriano 4/19/13

Joan Soriano 4/19/13
Griselda's bling

Joan was whimsical in his lead guitar solos, still one cool dude with his playful, rustic charm. His brother didn't accompany this tour, but his dancing-and-singing sister Griselda poured gasolina all over it.


With an acquaintance in Joan's crew, I had the pleasure of dancing to my favorite of the tunes Griselda sings on the CD La Familia Soriano: "Hazme Tuya," a 90s pop hit for Mexican teenager Maricela. The undeniability of pop, in a punchy bachata wrapper: why resist?

Joan Soriano 4/19/13

Joan Soriano 4/19/13

WE DON'T WANT NO TROUBLE NOW: The Beast headlines Meadow Stage

The Beast + Big Band is an enjoyable, XL expansion of the jazz/hiphop quartet normally comprised of Stephen CoffmanPierce FreelonEric Hirsh and Peter Kimosh.

Pierce & The Beast 4/19/13

With a string section borrowed from Lost in the Trees and a horn and added rhythm section borrowed largely from Orquesta GarDel, it felt like Earth Wind & Fire meets the Fania All Stars.

Pierce & The Beast 4/19/13
Al Strong, Andy Kleindienst (hidden), Tim Smith and Aaron Hill 

Pierce & The Beast 4/19/13

Among the special guests were trombonist Andy Kleindienst who drove in from New Jersey (where he's in music school at Rutgers), and Yomira John, a Panama City vocalist who flew in for this salsa-flavored collaboration:



The Beast "Plus" started even later than scheduled, but were still dominating the Meadow Stage when I left at 2 am.

Pierce & The Beast 4/19/13

Pierce & The Beast 4/19/13

This video capture was my favorite, a) because I am a sucker for Eric Hirsh's vocoder, and b) because it's one of those satirical songs about some crazy shit that happens on the way to a gig:



Enjoy!


Pierce & The Beast 4/19/13

Links:




Monday, October 3, 2011

Kairaba @ Haw River Ballroom (9/14)

Kairaba's September 14 show at Haw River Ballroom in Saxapahaw was a benefit for women's farm coops in the Central African Republic. If you're looking for backstory, my feature about Diali Cissokho & Kairaba appeared in the Indy recently.

Kairaba
Diali Cissokho and Austin McCall

Kairaba

It was a great show and event, with other presentations by artists and community organizers. This was one of my favorite moments, when Diali and John Westmoreland exchanged musical dialogue between the kora and guitar:



Kairaba
Jonathan Henderson and Will Ridenour

Here's a montage of two more song clips from the concert:



It's great to see this band continue to thrive, I can't even keep up with all their gigs lately. Good news: they plan to visit Diali's home in Senegal and play some shows there in December.

Kairaba

Kariaba 9/14 @ Haw River Ballroom

Tuesday, May 31, 2011

Electric Rhapsody: GarDel + Greg Humphreys @ Shakori Hills

Greg Humphreys is leaving us soon to spend the summer in Prague, so here (at last) is my going away present: Greg making musical history with Orquesta GarDel, back in April, sitting in on their salsa set at Shakori Hills with this electric guitar solo:



The early 70s tune, "Que Se Sepa," is a Los Van Van classic, heard in this arrangement made famous by Roberto Roena.

Greg really captured the flavor of the Roena version while making it his own. I got goosebumps hearing them connect the dots from Cuba 1972 --> to Puerto Rico 1974 --> Shakori Hills 2011.

Orquesta GarDel @ Shakori, 4/24/11

GarDel, by the way, performs live at Motorco in a couple of weeks on Saturday, June 11.

Mr. Humphreys, bon voyage and enjoy a summer of bohemia! May you travel light, troubadour, and come back with a suitcase full of songs.

Sunday, May 24, 2009

RADIO ALERT: Harry Viggiano Interview TONIGHT on WXDU

***UPDATE: Interview with Harry Viggiano is postponed until this Wednesday (5/27), 6-8 pm ET during my regular program, Azucar y Candela.***


I will be hosting WXDU's Mystery Show tonight, Sunday (5/24), 10 pm - midnight exploring the theme "Electric Guitar Solos in Salsa."

In the '70s, rock session guitarists such as Elliott Randall (Steely Dan's "Reelin' in the Years") and Jorge Santana were frequently called in to play with the Fania All Stars, Orchestra Harlow and other bands.

However, the use of guitar in Latin music goes back at least as far as La Playa Sextet and Los Zafiros (Manuel Galban) in the '50s and '60s. African salsa has traditionally used electric guitar, from Orchestra Baobab to Ricardo Lemvo, and in Cuba the history reaches from Irakere to Los Van Van's newest album.

The first show (in a series I hope to repeat) will feature a 20-minute interview with elusive legend of electric guitar and tres Harry Viggiano!

Harry contributed essential flavor to some of the classic albums of Eddie Palmieri, Larry Harlow, Roberto Roena and Joe Cuba among others. I learned early on as a fan of typical and experimental salsa that his name on the credits of an album is always a quality brand.

Tune in and catch this WXDU exclusive!

WHAT: Salsa Guitar Solos (Vol. 1)
WHEN: Sunday, 5/24, 10:00 pm - 12 midnight
WHERE: The Mystery Show, WXDU 88.7 FM or www.wxdu.org



Links:

See the playlist from Sunday's "Salsa Guitar Solos" Mystery Show here

Hear a sample of Senen Suarez, an early guitarist to integrate it into Cuban music, here.